As I was working on updating my own VIMEO and You Tube Channels this weekend, I lost myself in the many great Super 8 films that people have posted. I found that I can spend endless hours just watching everyone’s stuff, and of course, since this is my profession, I am always curious about the cameras, film, processing and scanning workflow. Some of the DIY folks have produced some really good stuff. Great in fact. Filmmakers who enjoy the power of one, and have the time to maticulate over moving their super 8 film to digital can achieve a decent result, providing they understand how to minimize the dirt, and the film was lit correctly to begin with.
What I found somewhat interesting however was how many scans done at facilities are producing results that look so bad. In many cases, worse than the DIY telecine that filmmakers have done.
So here is a tip I hope you will use. Before you choose a place to scan your super 8 film, go to YouTube and Vimeo to see what kind of quality a scanning facility can offer. Most companies now have samples of their stuff up there, or their clients have tagged what facility did the scan. Check out as many as you can find. You will be amazed at the range of what you see.
As I looked at all of my competitors stuff, as is human nature to do, it validated for me the differential between the quality of the scans that we provide far exceeds the differential in the price. One more thing…don’t be fooled by “fake” HD. HD is a native 1080 scan that comes directly off the scanner, not an SD telecine scan that is up rezzed in a computer.
Check it out for yourself.
www.pro8mm.com © Phil Vigeant, Pro8mm 2009