Showing posts with label super 8 workshop. Show all posts
Showing posts with label super 8 workshop. Show all posts

Wednesday, November 28, 2012

What makes the Super GR8 Film Festival Awesome!


What makes the Super GR8 Film Festival Awesome!
-by Rhonda Vigeant, Pro8mm


When you think about hubs for independent filmmaking, it is unlikely   Harrisonburg, Virginia would come to mind as a place where extraordinary film projects are being born by the dozens, but this is precisely what happens every fall when two local residents, AKA festival directors Paul Somers and Tim Estep announce that it is time again for the annual Super GR8 Film Festival.

The idea is to make a complete film on one 50-foot roll of Super 8 film with all the edits done in the camera. Filmmakers see their film for the first time on screening night, so the excitement and anticipation is intense, for not only the filmmaker, but the actors and audience as well.

While single roll super 8 film festivals have been around for a number of years, and have a popular following, what happens in Harrisonburg during October and November is a transformation of community rallying around the arts and creative process unlike anything I have ever seen or experienced before in my 30 years of working with the Super 8 medium. 

The awesomeness and uniqueness of Super GR8 is that the entire community gets involved with it.  As a small college town, home to James Madison University, as well as other near-by colleges, beautifully seated around a plethora of Civil War history, the sense of community in Harrisonburg extends well beyond the campus. The vibrant historic down town area is filled with unique non-commercial shopping, art galleries, hand made items and one of a kind eateries.  It is a very special place with very special people, and as one resident says, it is like “CHEERS” – a place where everyone really does know your name.

The elevated sense of community Paul and Tim have created with Super GR8 is a natural fit to a town that already has a sense of creative spirit and identity. A feeling of pride and cooperative, not competitive mindset touches every aspect of this amazingly successful festival, which has a tag line by the way “LIFE IS SUPER GR8”!

Super Gr8 entries are only solicited from local residents during an annual sign up night.  There are a coveted 48 spots, which are quickly spoken for every year.   24 films are made on Super 8 Tri-X Film, and 24 are made on Super 8 Color Negative. Each film type has its own screening night in the beautiful, historic down town Court Square Theatre.

The actors and crew are all local residents.  People in the community open up their homes and businesses to let the filmmakers use their locations.  Dozens of local businesses participate as sponsors.  Local artists design logos, t-shirts and posters for the publicity – which is prominently, displayed everywhere you go.  Innkeepers donate rooms to host festival judges and some of the invited out of town guests.  Even the amazing trophies (which are the only prizes) are amazingly hand crafted from “throw away” broken super 8 cameras, reels and super 8 projectors.  These in themselves are unique relics that rival the beauty of any cookie cutter Hollywood Emmy or Oscar! 

On the night prior to the screenings – the town is a buzz.  Everyone you meet knows about the festival, has either made a film, is in a film, crewed a film, wrote a music score for a film, or knows someone directly involved in some way. 

Paul and Tim prepare for the festival all year by looking for super 8 cameras that are in working condition.  A local camera shop fixes many, but Paul confesses he is learning more about the process himself so that all participants will have good working equipment.  Cameras are lent to anyone who needs one. You just stop by Tim or Paul’s’ house and check one out.  A majority of the people who enter the festival have never made a film before – or have only made one for a previous Super GR8 festival.  So the task falls on the shoulders of the festival directors to work with the newbie’s, sometimes for hours on end, teaching them how to use the camera, and always making themselves available, day or night to answer and questions.

The Festival was founded is 2010 with the first years films shot only on black and white film.  In 2011, Pro8mm was asked if they would like to jump on as a sponsor, so for the past two years, we have provided at cost both the black and white and color negative film, the processing and HD scanning. 

When we told Tim and Paul back in 2011 that we wanted to come to the festival, they were surprised but happy to have their efforts validated in this way.  This year, we returned again, and were asked to be judges.  When residents ask us why we have come all the way to Harrisonburg, Virginia from Burbank,CA, we tell them it is an extension of our love of super 8 and we want to be part of the love fest.  To be part of the magic created by this outrageously fun, grass roots Super 8 Spectacular, complete with after parties at local venues is for us, amazing!

So with our involvement, Super GR8 has added on a night before the festival where we present to the newbie’s and predominately non-filmmakers to help them to begin to understand some of the basic filmmaking process, and think where else they might want to use the medium in their life.

 
The amount of people giving time, effort and commitment that goes into not only the films, but also the sound tracks, the posters that each filmmaker made for their own film is immeasurable.   As the audience began to come in and settle in their seats, I looked around at the hundreds of people who attended this sold out event and it was extremely emotional for Phil and I on many levels. The house was packed. I thought to myself, when was the last time you could fill a room on a Tuesday night with 300 people who paid the price of admission to see something that is a complete unknown, just to support their friends, their community, and be part of something bigger than themselves?

Super 8 has been our life’s work for 30 years.  And here it is, the end of 2012. The future of film origination from where we sit in Hollywood is changing so fast.  And yet, as I looked around the room of predominately 20-30 something’s, it was clear to me that Super 8 has indeed come full circle and is going to have a new life, in the loving hands from where it came.  Some in the hands of aspiring filmmakers, but mostly in the hands of regular people. People who want to create art. People who want to collaborate, not compete.    People who are a bit counter culture, and thrive in that environment.

One event can change a community.  Two people, Paul Somers and Tim Estep through the Super GR8 Film Festival changed the way their community looks at themselves and as a result changed Harrisonburg in so many ways. Creating a sense of community is what most people want, but don’t always know how to create.  Yet, a 3 and a half-minute cartridge of 50 feet of Super 8 film had the power to move an entire town to have an abundant amount of  fun this fall and create an experience that is not just Super Gr8 but Super awesome!

As I felt the energy of the audience explode during the sold out two  screening nights, and found myself “all in” as both a judge and a “wannabe “Harrisonburg Groupie, I found myself wondering if everyone over at the multiplex down the road was having as much fun as we were. But I already knew the answer!

Monday, September 10, 2012

The Super 8 Film Summit! Climb to the Top of your Super 8 Game!


The Super 8 Film Summit 3-Day Workshop!
Climb to the Top of Your Super 8 Game! October 19-21, 2012

 
Pro8mm, of Burbank, CA is announcing their 3rd annual live Super 8 filmmaking weekend workshop! With a fresh new style, Pro8mm is taking you out of the classroom and onto the set. We have evolved our traditional boot camp style workshop into an intimate hands-on learning experience.   Give film a shot through hands-on Super 8 shooting with the experts!

Grab your Super 8 movie camera and get ready to watch, learn, and practice your Super 8 filmmaking. With some essential tips, tricks, and guidance from our expert Super 8 filmmakers and trainers, 30 like-minded Super 8 enthusiasts will get the opportunity to spend a weekend learning how to successful successfully shoot Super 8 film in a production-style capacity and incorporate it into a modern day state of the art workflow. 
 
“Essentially, so much has changed over the last few years. In fact, more has changed in filmmaking in the last two years, than the last 10 years.  The world of computers, hard drives, data files and encoding is changing so fast. But analog film still has an important place in our HD digital world.  There are many myths and facts surrounding the never ending film vs. digital debate.  But once you have a grasp on it, you can apply your Super 8 knowledge and shooting skill into that world. My goal for the Super 8 Film Summit is to not only get you up to speed by teaching you the technical information, but the practical knowledge needed to be a great all-around filmmaker and stand out from the competition,” says Phil Vigeant, owner of Pro8mm.


WHAT TO EXPECT
The weekend will kick off with tours of Pro8mm, where the workshop is taking place. You will get to spend some quality time in the processing lab, with the colorists, and the camera techs.
The next two days will be a mix of class-room style sessions, followed by instant field training where you can practice the concepts taught first hand.

“The previous Pro8mm boot camps were great, and so many filmmakers have collaborated and gone on to do amazing things from these events.  But there was a need to put the camera into the filmmaker’s hands.  We decided that our next workshop should to be hands-on, which is why a state of the art 4-roll Super 8 film package is included with every registration. We’ve also had to limit it to 30 people, so that the experts can give each filmmaker individual attention based on their experience level. The Summit isn’t just for new Super 8 filmmakers. Anyone looking to brush up on their skills can benefit from it,” says Vigeant. The weekend will end with a screening of some of the film participants shot, so you can see where you excel and where there is room for improvement.
MEET OUR EXPERTS!
Throughout the weekend our field experts will take filmmakers around shooting in small groups.  They include cinematographer Laura Merians, who has shot Super 8 spots for Whole Foods, and In Style’s Tia & Tamera, among other projects. Daniel Lir and Bayou Bennett, owners of Dolce Films who are award wining filmmakers and screenwriters.  They have done some fantastic Super 8 spots for Smashbox Cosmetics.  And filmmaker David Dibble, a rising Super 8 star who has done outstanding Super 8 work for The Going Green Film Festival, music videos such as PNKYSWR, and more. While these filmmakers also shoot digital, they have learned that digital can’t replace what film can do. And if you want your movies to look like film,  you have to originate on film. They have perfected their craft and are going to teach you the tools that are getting them hired!  The entire weekend will be lead by Super 8 expert Phil Vigeant, owner of Pro8mm who has been running a company that services small format film for over 30 years. He is author of the book “The Power of Super 8 Film.” Credited with inventing Max 8 16x9 shooting, and negative Super 8 film, Phil brings his technical expertise on film stocks, processing, and scanning options, which will be covered in detail at the Super 8 Film Summit.
 

Concepts you will learn and practice:
-All basic Super 8 camera features and functions; Lenses -- ultra wide, telephoto extenders, C-mount vs. fix-mount; Filters; Focus; Exposure; Transport; Off-speed shooting; Anamorphic; Max 8; Stabilization; eBay pos cameras; Specialty cameras; Back-up; Light meter; Testing before shooting; Sync sound, 18 vs. 24 fps, 85 filter.
-Types of Super 8 Film Stock -- Fuji vs. Kodak; Color temperature -- tungsten vs. daylight; Alternative processing methods -- DIY hand processing, Cross processing, Skip bleach, Push/pull; Custom film; Regular 8; 200 foot loads; Double Super 8; Screwing up on purpose -- Prep.
-Different types of scanners pros and cons of each -- Rank Cintel Mark 3 digi 4, Y-front Ursa Diamond, Millennium 2, Spirit, Projected on the wall, Frame by frame; Color Correction -- Scene by scene vs. one light; What are the P.E.C.s?; Gamma correction; Digital outputs such as 444.422.Prores, 10-bit un-compressed. 1080i vs. 1080 p workflows. Standard Def vs. High Def scanning.

The weekend workshop costs $400. This is an incredible value since you are getting a 4 roll film package as part of the price of admission, which retails at $368.00. Essentially you are getting a 3-day workshop for $32!! You can bring your own Super 8 camera, or borrow one from Pro8mm.

THE SUPER 8 FILM SUMMIT IS LIMITED TO ONLY 30 PEOPLE so that we can keep it intimate and give every filmmaker the opportunity to work closely with our experts.

"My husband and I attended Pro8mm's Power of Super 8 Film Boot Camp, and those couple of days of instruction and inspiration helped springboard our business! We learned a lot, got to ask questions, and meet other professionals in the industry. It was an essential piece of getting started for us and gave us the confidence to really grow Nostalgia Film." - Shanna Pharis, Boot Camp Attendee
Click for more info or to register for the Super 8 Film Summit! October 19-21, 2012
The Super 8 Film Summit is presented by Pro8mm
2805 West Magnolia Blvd. Burbank, CA 91505 Ph: 818-848-5522 www.pro8mm.com