Showing posts with label super 8 cameras. Show all posts
Showing posts with label super 8 cameras. Show all posts

Wednesday, November 28, 2012

What makes the Super GR8 Film Festival Awesome!


What makes the Super GR8 Film Festival Awesome!
-by Rhonda Vigeant, Pro8mm


When you think about hubs for independent filmmaking, it is unlikely   Harrisonburg, Virginia would come to mind as a place where extraordinary film projects are being born by the dozens, but this is precisely what happens every fall when two local residents, AKA festival directors Paul Somers and Tim Estep announce that it is time again for the annual Super GR8 Film Festival.

The idea is to make a complete film on one 50-foot roll of Super 8 film with all the edits done in the camera. Filmmakers see their film for the first time on screening night, so the excitement and anticipation is intense, for not only the filmmaker, but the actors and audience as well.

While single roll super 8 film festivals have been around for a number of years, and have a popular following, what happens in Harrisonburg during October and November is a transformation of community rallying around the arts and creative process unlike anything I have ever seen or experienced before in my 30 years of working with the Super 8 medium. 

The awesomeness and uniqueness of Super GR8 is that the entire community gets involved with it.  As a small college town, home to James Madison University, as well as other near-by colleges, beautifully seated around a plethora of Civil War history, the sense of community in Harrisonburg extends well beyond the campus. The vibrant historic down town area is filled with unique non-commercial shopping, art galleries, hand made items and one of a kind eateries.  It is a very special place with very special people, and as one resident says, it is like “CHEERS” – a place where everyone really does know your name.

The elevated sense of community Paul and Tim have created with Super GR8 is a natural fit to a town that already has a sense of creative spirit and identity. A feeling of pride and cooperative, not competitive mindset touches every aspect of this amazingly successful festival, which has a tag line by the way “LIFE IS SUPER GR8”!

Super Gr8 entries are only solicited from local residents during an annual sign up night.  There are a coveted 48 spots, which are quickly spoken for every year.   24 films are made on Super 8 Tri-X Film, and 24 are made on Super 8 Color Negative. Each film type has its own screening night in the beautiful, historic down town Court Square Theatre.

The actors and crew are all local residents.  People in the community open up their homes and businesses to let the filmmakers use their locations.  Dozens of local businesses participate as sponsors.  Local artists design logos, t-shirts and posters for the publicity – which is prominently, displayed everywhere you go.  Innkeepers donate rooms to host festival judges and some of the invited out of town guests.  Even the amazing trophies (which are the only prizes) are amazingly hand crafted from “throw away” broken super 8 cameras, reels and super 8 projectors.  These in themselves are unique relics that rival the beauty of any cookie cutter Hollywood Emmy or Oscar! 

On the night prior to the screenings – the town is a buzz.  Everyone you meet knows about the festival, has either made a film, is in a film, crewed a film, wrote a music score for a film, or knows someone directly involved in some way. 

Paul and Tim prepare for the festival all year by looking for super 8 cameras that are in working condition.  A local camera shop fixes many, but Paul confesses he is learning more about the process himself so that all participants will have good working equipment.  Cameras are lent to anyone who needs one. You just stop by Tim or Paul’s’ house and check one out.  A majority of the people who enter the festival have never made a film before – or have only made one for a previous Super GR8 festival.  So the task falls on the shoulders of the festival directors to work with the newbie’s, sometimes for hours on end, teaching them how to use the camera, and always making themselves available, day or night to answer and questions.

The Festival was founded is 2010 with the first years films shot only on black and white film.  In 2011, Pro8mm was asked if they would like to jump on as a sponsor, so for the past two years, we have provided at cost both the black and white and color negative film, the processing and HD scanning. 

When we told Tim and Paul back in 2011 that we wanted to come to the festival, they were surprised but happy to have their efforts validated in this way.  This year, we returned again, and were asked to be judges.  When residents ask us why we have come all the way to Harrisonburg, Virginia from Burbank,CA, we tell them it is an extension of our love of super 8 and we want to be part of the love fest.  To be part of the magic created by this outrageously fun, grass roots Super 8 Spectacular, complete with after parties at local venues is for us, amazing!

So with our involvement, Super GR8 has added on a night before the festival where we present to the newbie’s and predominately non-filmmakers to help them to begin to understand some of the basic filmmaking process, and think where else they might want to use the medium in their life.

 
The amount of people giving time, effort and commitment that goes into not only the films, but also the sound tracks, the posters that each filmmaker made for their own film is immeasurable.   As the audience began to come in and settle in their seats, I looked around at the hundreds of people who attended this sold out event and it was extremely emotional for Phil and I on many levels. The house was packed. I thought to myself, when was the last time you could fill a room on a Tuesday night with 300 people who paid the price of admission to see something that is a complete unknown, just to support their friends, their community, and be part of something bigger than themselves?

Super 8 has been our life’s work for 30 years.  And here it is, the end of 2012. The future of film origination from where we sit in Hollywood is changing so fast.  And yet, as I looked around the room of predominately 20-30 something’s, it was clear to me that Super 8 has indeed come full circle and is going to have a new life, in the loving hands from where it came.  Some in the hands of aspiring filmmakers, but mostly in the hands of regular people. People who want to create art. People who want to collaborate, not compete.    People who are a bit counter culture, and thrive in that environment.

One event can change a community.  Two people, Paul Somers and Tim Estep through the Super GR8 Film Festival changed the way their community looks at themselves and as a result changed Harrisonburg in so many ways. Creating a sense of community is what most people want, but don’t always know how to create.  Yet, a 3 and a half-minute cartridge of 50 feet of Super 8 film had the power to move an entire town to have an abundant amount of  fun this fall and create an experience that is not just Super Gr8 but Super awesome!

As I felt the energy of the audience explode during the sold out two  screening nights, and found myself “all in” as both a judge and a “wannabe “Harrisonburg Groupie, I found myself wondering if everyone over at the multiplex down the road was having as much fun as we were. But I already knew the answer!

Monday, September 10, 2012

The Super 8 Film Summit! Climb to the Top of your Super 8 Game!


The Super 8 Film Summit 3-Day Workshop!
Climb to the Top of Your Super 8 Game! October 19-21, 2012

 
Pro8mm, of Burbank, CA is announcing their 3rd annual live Super 8 filmmaking weekend workshop! With a fresh new style, Pro8mm is taking you out of the classroom and onto the set. We have evolved our traditional boot camp style workshop into an intimate hands-on learning experience.   Give film a shot through hands-on Super 8 shooting with the experts!

Grab your Super 8 movie camera and get ready to watch, learn, and practice your Super 8 filmmaking. With some essential tips, tricks, and guidance from our expert Super 8 filmmakers and trainers, 30 like-minded Super 8 enthusiasts will get the opportunity to spend a weekend learning how to successful successfully shoot Super 8 film in a production-style capacity and incorporate it into a modern day state of the art workflow. 
 
“Essentially, so much has changed over the last few years. In fact, more has changed in filmmaking in the last two years, than the last 10 years.  The world of computers, hard drives, data files and encoding is changing so fast. But analog film still has an important place in our HD digital world.  There are many myths and facts surrounding the never ending film vs. digital debate.  But once you have a grasp on it, you can apply your Super 8 knowledge and shooting skill into that world. My goal for the Super 8 Film Summit is to not only get you up to speed by teaching you the technical information, but the practical knowledge needed to be a great all-around filmmaker and stand out from the competition,” says Phil Vigeant, owner of Pro8mm.


WHAT TO EXPECT
The weekend will kick off with tours of Pro8mm, where the workshop is taking place. You will get to spend some quality time in the processing lab, with the colorists, and the camera techs.
The next two days will be a mix of class-room style sessions, followed by instant field training where you can practice the concepts taught first hand.

“The previous Pro8mm boot camps were great, and so many filmmakers have collaborated and gone on to do amazing things from these events.  But there was a need to put the camera into the filmmaker’s hands.  We decided that our next workshop should to be hands-on, which is why a state of the art 4-roll Super 8 film package is included with every registration. We’ve also had to limit it to 30 people, so that the experts can give each filmmaker individual attention based on their experience level. The Summit isn’t just for new Super 8 filmmakers. Anyone looking to brush up on their skills can benefit from it,” says Vigeant. The weekend will end with a screening of some of the film participants shot, so you can see where you excel and where there is room for improvement.
MEET OUR EXPERTS!
Throughout the weekend our field experts will take filmmakers around shooting in small groups.  They include cinematographer Laura Merians, who has shot Super 8 spots for Whole Foods, and In Style’s Tia & Tamera, among other projects. Daniel Lir and Bayou Bennett, owners of Dolce Films who are award wining filmmakers and screenwriters.  They have done some fantastic Super 8 spots for Smashbox Cosmetics.  And filmmaker David Dibble, a rising Super 8 star who has done outstanding Super 8 work for The Going Green Film Festival, music videos such as PNKYSWR, and more. While these filmmakers also shoot digital, they have learned that digital can’t replace what film can do. And if you want your movies to look like film,  you have to originate on film. They have perfected their craft and are going to teach you the tools that are getting them hired!  The entire weekend will be lead by Super 8 expert Phil Vigeant, owner of Pro8mm who has been running a company that services small format film for over 30 years. He is author of the book “The Power of Super 8 Film.” Credited with inventing Max 8 16x9 shooting, and negative Super 8 film, Phil brings his technical expertise on film stocks, processing, and scanning options, which will be covered in detail at the Super 8 Film Summit.
 

Concepts you will learn and practice:
-All basic Super 8 camera features and functions; Lenses -- ultra wide, telephoto extenders, C-mount vs. fix-mount; Filters; Focus; Exposure; Transport; Off-speed shooting; Anamorphic; Max 8; Stabilization; eBay pos cameras; Specialty cameras; Back-up; Light meter; Testing before shooting; Sync sound, 18 vs. 24 fps, 85 filter.
-Types of Super 8 Film Stock -- Fuji vs. Kodak; Color temperature -- tungsten vs. daylight; Alternative processing methods -- DIY hand processing, Cross processing, Skip bleach, Push/pull; Custom film; Regular 8; 200 foot loads; Double Super 8; Screwing up on purpose -- Prep.
-Different types of scanners pros and cons of each -- Rank Cintel Mark 3 digi 4, Y-front Ursa Diamond, Millennium 2, Spirit, Projected on the wall, Frame by frame; Color Correction -- Scene by scene vs. one light; What are the P.E.C.s?; Gamma correction; Digital outputs such as 444.422.Prores, 10-bit un-compressed. 1080i vs. 1080 p workflows. Standard Def vs. High Def scanning.

The weekend workshop costs $400. This is an incredible value since you are getting a 4 roll film package as part of the price of admission, which retails at $368.00. Essentially you are getting a 3-day workshop for $32!! You can bring your own Super 8 camera, or borrow one from Pro8mm.

THE SUPER 8 FILM SUMMIT IS LIMITED TO ONLY 30 PEOPLE so that we can keep it intimate and give every filmmaker the opportunity to work closely with our experts.

"My husband and I attended Pro8mm's Power of Super 8 Film Boot Camp, and those couple of days of instruction and inspiration helped springboard our business! We learned a lot, got to ask questions, and meet other professionals in the industry. It was an essential piece of getting started for us and gave us the confidence to really grow Nostalgia Film." - Shanna Pharis, Boot Camp Attendee
Click for more info or to register for the Super 8 Film Summit! October 19-21, 2012
The Super 8 Film Summit is presented by Pro8mm
2805 West Magnolia Blvd. Burbank, CA 91505 Ph: 818-848-5522 www.pro8mm.com

Wednesday, April 25, 2012

Introducing The “ Rhonda Cam ”





For Immediate Release:
Burbank.  Press Contact – Rhonda@pro8mm.com
Introducing The “ Rhonda Cam ”
A Small, Trendy, Affordable Workhorse of a Super 8 Camera    


                  PROTOTYPE TO BE BETA TESTED
                 AT CINE GEAR EXPO BY ATTENDEES

Pro8mm films it forward again with the introduction of the trendy new Rhonda Cam.  Named for company co-owner, The Rhonda Cam comemorates her 30th anniversary with the company.  Evolved from a Canon 310 XL, this super 8 camera was originally produced from 1975-1983. It was adorned as being the world’s fastest lens speed of f/1.0, and a 3x zoom and macro shooting as close as 215 mm from the film plane mark if the zooming lever was set at “Macro.”

More than a retro throw back with a modern look; we are bringing it back because even today, it can do something no other camera can do.  It has the professional application as being the lowest light film camera on the market!  The f/1.0, coupled with modern film stocks such as a 500 ASA is something filmmakers need in low light situations, such as indoor weddings or studio shots.

Part of The Rhonda Cam’s appeal is it’s “toy like” appearance” in spite of the amazing pictures it can film.  It measures just 7” x 4 ½ ” x 1 ¾ ”!
The camera is available with a variety of skins including animal print and camouflage. Eventually it is likely that custom skins will be available. 


Rhonda states, “I wanted to design something young and fun that would appeal to a new generation of filmmakers that looked cool and was simple enough to use; a camera that they would be inclined to just pick up and shoot.” I also have heard from many of our regular clients that they have wanted a really small point and shoot super 8 camera that can be thrown into their handbag or backpack.  We thought that we would be bold and come up with something really stylish that would appeal to the wedding filmmakers, and all the genres of super 8 lifestyle filmmakers we work with.  I can’t wait to see it “on set” in the fashion industry, music videos, skating and boarding.  I can just picture a camera on every table at a wedding, matching the décor of the event.

Pro8mm has not modified the original specs of the camera.  Our team of expert camera techs have gone through and tested each camera to bring it back to factory standards, including the focus, take up and exposure The Rhonda Cam runs on two AA batteries.  As a simple point and shoot super 8 camera, we anticipate that it will not be able to perform to the same extent as other cameras in our line, while being the perfect choice for certain filming situations.  The Rhonda Cam has a limited range of exposure (40 and 160) During this “Beta Test” period, we will be able to determine which film stocks run best.  We know from experience that certain cameras prefer certain stocks.  Since we will not be increasing the pick up torques or exposure settings we will make available recommendations moving forward.



For more information, email info@pro8mm.com www.pro8mm.com


Specifications:

Focal Length: 8-5 – 25.5mm f/1.0 Macro Zoom
Speed:  18 FPS plus Single Frame
Auto Exposure
Power/Manual Zoom
Power = 2-AA
Measure: 39 x 112 x 176 mm


Thursday, July 21, 2011

Shooting National Brands with Super 8 Teleseminar

Today more than ever big national brands are forced to recreate their image and reconnect with their customers in more intimate, engaging and organic ways. Modern society tends to be very isolated and spread out as the internet makes it easy to connect facelessness through sites like Facebook and apps like Twitter.

Many companies are now focusing on personal story telling to re-focus on individual contributors as opposed to corporate culture. What better way to do this than with Super 8 film? 

On Wednesday, August 3rd, 2011 at 4:30pm pacifiwhole foodsc, Phil Vigeant, super 8 expert and author, along with special guest, Laura Merians, who tells personal stories about Whole Foods products through Super 8 film, will be taking an in-depth look at Shooting National Brands with Super 8.
Laura and Phil will be talking about how and why some very hip campaigns for companies such as Roxy, Billabong, Whole Foods, Swiffer, Ford Automobiles and hundreds of other national brands for food, beverage, clothing, sports teams, fast food resturants and more use Super 8 in their campaigns.

 laura meriansLaura Merians is a cinematographer and director based in Los Angeles and New York City. She started her career in lighting after receiving a degree in Philosophy from UC Berkeley. Laura has worked on projects for Discovery, MTV, VH1, Fox and Sony well as shooting music videos and short films. Her work has been featured in American Cinematographer, Studio Monthly Magazine, Videography Magazine and Digital Cinematography.  She recently finished shooting and directing a series of shorts for Whole foods on urban farming called GROW and a new series for the Style Network titled Tia and Tamera; she used Super 8 on both projects.

Register Now for this FREE teleseminar! Wednesday, August 3, 2011 4:30pm to 5:30pm pacific (7:30pm to 8:30pm eastern)

Click Here to Register! 

Wednesday, July 13, 2011

Why People Use Super 8 Film To Create Hip Campaigns for National Brands


Recently, various members of the press who have been curious about who uses Super 8 in 2011 have interviewed me. Their curiosity has been sparked by the release of the recent J.J. Abrams Film, Super 8. The press usually starts their inquiry about Super 8 with people at Kodak, or some college professors who may have taught a super 8 class “in the day.” They may have spoken to an archivist who works with home movies and historical collections that represent a fabulous montage of our history and culture from the 40’s, 50’s 60’s and 70’s. But then, invariably, the get referred to me, a director of marketing for a company that has specialized in Super 8 film for over 35 years and who has had the privilege of knowing first hand that thousands of projects of all kinds, from various industries, are shot on Super 8 film every year.

A few days after the Super 8 movie came out, I was called by MSNBC who wanted to do a segment at a real Super 8 camera store. They were hoping to see an enormous collection of vintage camera models, both obscure and common. When I told the person that called that we didn’t have any cameras like that or any projectors– she said, ok then, we will have to get back to you. Which they didn’t. They didn’t get it.

Unless the interview is being done by one of the film industry trade magazines, (which has a little more understanding for the desire to work with a variety of mediums), the conversation usually goes something like this.

Interviewer: “So, is Super 8 back?”
Me: “Back? Where did it go?”
Interviewer: “Well, who shoots this stuff? A few people who want to create a sense of nostalgia, right?”
Me: “Well no, actually it is being used in some very hip campaigns for companies such as Roxy, Billabong, Whole Foods, Swiffer, Ford Automobiles and hundreds of other national brands for food, beverage, clothing, sports teams, fast food restaurants, and more. You can see it in TV shows such as American Idol and True Blood, and Music Videos for some of today’s hottest artists such as Katy Perry and Beyonce, as well industrials, independent projects and political campaigns.”
Interviewer: To create a sense of nostalgia, right?

So instead of feeling frustrated and defensive for the umpteenth time that “they just don’t get it” or offended that no matter how much time I spend explaining about how we upgrade the cameras with things that modern filmmakers would want, state of the art negative film stocks which we reformat, 16 x 9 aspect ratios, native 1080 scanning and Pro Res files off our state of the art scanner, I started thinking about it. What is nostalgia from more if an intellectual perspective? And I decided, maybe these interviewers are more intuitive then I thought.

Nostalgia is by definition as a sense of longing. I decided to embrace this possibility. What is it that makes me nostalgic? What is it that I long for? For me it is a wish or desire to connect with people in a way that is engaging, organic, and intimate. To get away from the Facelessness of Facebook and the 500 people in my network, many who I really don’t know that well, or in some cases, at all.

I think that purveyors of National Brands get this. Modern society tends to be very isolated and spread out. Many people are looking for a simple way to communicate their product or brand. This perhaps may be the fall out from all the corruption we have seen in recent years in the finance industry, bailouts, and sex scandals among the politicians.

I think there is a movement happening. A shift toward taking back our power in small ways individually. It’s an awakening that does make us feel nostalgic for the corner store or a place like “Cheers Bar,” where everybody knows your name. The needs and wants that have been created by a corporate-driven culture that feed our egos are being replaced with a need to feed our souls. 


Community. Connectivity. Individuality.
Big brands are caught up in this, and now have to re-brand themselves to fit in with this movement and economic cycle. They want to embrace the local farmer; small bank and many in the face of unemployment are themselves cultivating entrepreneurship. They want people to see them as committed to sustainability and protectors of the environment.

So how does a company like Wal-Mart portray themselves as the local hardware store? Personal story telling. Focusing on individual contributors as opposed to corporate culture. What better way to do this then with Super 8 film?

So yes, bring on the nostalgia. Everyone loves a good story and that “feel good” feeling especially shot on Super 8 film!

Friday, June 10, 2011

Super 8 Filmmaking is Alive, Well and Remains a Hot Production Medium at the One-Stop Burbank Shop - Pro8mmSuper 8 Filmmaking is Alive, Well and Remains a Hot Production Medium at the One-Stop Burbank Shop - Pro8mm


The release of the J.J. Abrams film Super 8 is bringing renewed attention to the popular film format which millions of families captured their home movies on during the 60’s, 70’s and 80’s. The format gave a vehicle for today’s most beloved filmmakers to experiment with a home movie camera that proved to be the gateway to some of the most prolific careers in filmmaking.  Directors such as Steven Spielberg, George Lucas, Oliver Stone, Sam Rami, Tim Burton, Francis Ford Coppola, and Ron Howard, among many others, have all launched careers that have roots in Super 8 film.   As kids, they picked up the family Super 8 camera and saw it as much more than a tool to make home movies.  They used Super 8 as a production tool to experiment with a craft. This is the theme that runs through J.J. Abrams film Super 8 -  a group of kids who were making a real independent movie for a film festival with a Super 8 camera. 


While the general belief is that the Super 8 format died an honorable death with the advent of consumer and prosumer video, Hollywood insiders and savvy independent filmmakers know that the power of super 8 film is alive and well in Burbank, CA!

The company Pro8mm (formerly called Super8 Sound) has been working on over 1,000 professional projects every year since the mid 1980’s. Pro8mm hit its heyday in the 1990’s, working on every episode of VH-1 Behind The Music, Where Are They Now, and numerous MTV shows and specials.  This love of super 8 continues, with recent music videos shot on Super 8 film for such artists as Katy Perry, Beyonce, Christina Aguilera, Harper Simon, McFly, and  John Mellencamp. Commercials for consumer products such as Whole Foods, Ford cars and trucks, Swiffer, Home Depot, Billabong and Roxy, as well as inserts in TV shows such as American Idol, 48 Hours, The Grammy’s, and My Name Is Earl have all embraced the Super 8 format.  Additionally, 35mm theatrical releases such as Super 8, 8mm, My Sister’s Keeper, and Factory Girl have incorporated Super 8 inserts to create the sense of flashback scenes and vintage moments throughout their feature films.  This list is just the tip of the iceberg for professional applications that the Super 8 format has worked particularly well for.

Additionally, Pro8mm specializes in the HD archival transfers of homes movies and historical films for use in museums, documentaries or the personal archives of the worlds most famous faces. Pro8mm’s projects include the Hewlett-Packard Family and The Estee Lauder Family, The Richard Nixon Library, and tour footage from The Eagles “Hell Freezes Over” tour. Pro8mm has also transferred the first films of many famous directors and cinematographers.

Pro8mm focuses on a hybrid of products and services that make it possible for filmmakers to do professional production work with the Super 8 format. Pro8mm turns its work around very quickly, even the same day if needed.  All services are on-site, including a retail store for purchasing or renting cameras and film, the processing lab, camera technicians, and the scanners, which digitize the film in 1080 high definition to a hard drive for ease of editing.

Pro8mm rebuilds classic Super 8 cameras with modifications that a modern filmmaker would want, such as 16:9 aspect ratios and sync sound. Pro8mm also reformats over 20 different Super 8 film stocks, cutting down Kodak and Fuji 35mm film. This gives cost effective access to the same film stocks being used to make Hollywood blockbusters. Recently, Pro8mm invested over one million dollars in a Millennium II, 4K scanner, with daVinci 2K color correction, custom modified for Super 8, regular 8 and Max 8 formats.  This is the same type of scanner you would see at a high-end 35mm post-production facility.

Over the past two years, Pro8mm has made a monumental commitment to educating the next generation about the benefits of shooting on Super 8 film.   In 2010, Phil Vigeant, President of Pro8mm, wrote a book titled, “The Power of Super 8 Film – Insider Secrets Every Filmmaker Should Know.”  The book focuses on why the pros use it, love it and keep it a secret. Phil gives his expertise on the format and explains why he invented products that change the way filmmakers and the entertainment industry use Super 8 film.  Additionally, Pro8mm has launched a series of free teleseminars that focus of Super 8 applications and technical information about the process. Pro8mm has expanded their educational products by offering free hands-on film workshops at schools, major industry events and even private workshops at their shop. Pro8mm also hosts their own 2 day Super 8 training workshop, where Phil Vigeant gives in-depth technical sessions on Super 8 filmmaking, and guest speakers talk about and show samples shot on Super 8 film of the many applications of Super 8 such as weddings, commercials and music videos.



COMPANY HISTORY:
Founded in 1971 in Cambridge, Massachusetts, the company, which was originally called Super8 Sound ™, pioneered the belief that the Super 8mm film format had tremendous potential as a production medium.  History Of Super 8 Sound . A small group of inventors and entrepreneurs designed a line of specialty sync-sound full coat (audio tape that has sprocket holes) and cassette recorders, editing benches and crystal sync modifications to Super 8 Cameras and other production accessories. The idea was that you could replicate 35mm filmmaking using Super 8 equipment. This indeed made the Super 8mm film format and Super8 Sound ™ an integral part of hundreds of university film programs worldwide. Film programs could teach in double system filmmaking on cost efficient super 8. It became widely used by individuals with a desire to make independent films. 

In 1982, Super8 Sound employee and staff accountant Philip Vigeant had the opportunity to buy the company. In the years that followed, Vigeant bought out other small companies in the Boston area including a film lab and a camera repair shop adding their services to Super8 Sound™.

A film chain telecine which transferred film to videotape was also added that year with the firm belief that the future of small format film laid in the ability to integrate it into the video arena. An in-house publication called The Independent Producer was launched which focused on the success of the independent film scene, focusing on people who were shooting on super 8. The magazine highlighted the stories of individuals making low-budget super 8 music videos and film for video distribution.

In 1987 Super8 Sound expanded the business by opening a second office in Hollywood, California. This expansion was driven by the amount of clients the company had on the west coast who were involved in producing MTV style music videos for their bands.

In 1989, another expansion was implemented to a larger Burbank location, adding a technical camera repair room, on-site processing lab, and film to videotape transfer services. Now a complete turnkey, one-stop shop, the company redirected it’s focus to meet the demands of there growing list of studio and industry mainstream clients. The Boston office was eventually closed in 1995. The Rank Cintel telecine suites with daVinci color correction were added, permanently eliminating film chain consumer quality transfers.

 One of the biggest innovations for the company came in 1993 with the development of a line of Pro8mm negative film. Prior to this, only reversal super 8 film stocks were available from major film manufactures such as Fuji and Kodak. The idea was that a line of professional film stocks in the familiar easy to use 50-foot preloaded cartridges would offer a palette to filmmakers allowing for greater creative options for the cost efficient, highly portable super 8 format.

The company developed a manufacturing operation on-site to cut and reformat professional 35mm film stocks, loading it into super8 cartridges. All-inclusive packages were offered so that film, processing, and telecine could be prepaid, allowing for better targeting of the production budget. The industry, students, and independents embraced this concept with huge enthusiasm. Today Pro8mm has an expansive line of over 20 reformatted film stocks that range from 50-500 ASA and 3 different scanning systems, including high definition. In addition, they repackage Kodak Super 8 film stocks to include their award winning processing and HD scanning services.

Over the next 10 years thousands of projects were shot on Pro8mm film including dozens of episodes of VH-1 Behind the Music, hundreds of commercials, segways for prime time television shows, and scenes in theatrical releases.

The name of the company was changed to Pro8mm in 1998, which was more in line with the company’s mission statement and goals. Professional Super 8 and
Pro (in favor of) 8mm. The days of sound on film and mag full coat recorders were gone and the new direction of the company would be to integrate the small format film into the digital world. Profound changes were to follow to bring Super 8 into the HD world.

In 2003 Pro8mm expanded the small format product line to include Pro16mm, loading 16mm film onto 100’ daylight spools, rebuilding classic 16mm cameras and expanding our processing and telecine services.

Aligning with prosumer and industry trends, 2005 brought Pro8mm into the widescreen era with the introduction of  Max 8, a 16 X 9 widescreen super 8 camera and scanning system. Pro8mm began building classic cameras with a new expanded gate, allowing for 20% more image to be captured where the old sound stripe used to be on the film. The development of modern aspect ratio products and scanning committed Pro8mm to be on board for the world of high definition and the future.

In late 2007, Pro8mm began purchasing HD Scanning Equipment and set up an HD Scanning Suite. Their Millennium II HD Scanner and 2K daVinci Color corrector gave Pro8mm the capability to move forward by both preserving archival material in HD or by directing scanning in native 1080 off the frame, and accommodating our production clients as all broadcast moves to digital.

As a generation of filmmakers began to finish film school without ever shooting a frame of real film, 2010 brought the company to the realization that they needed to make a hefty commitment to educate people on how to shoot on Super 8 film. Company president Phil Vigeant wrote a book called  “The Power of Super 8 Film – Insider Secrets Every Filmmaker Should Know and the company began running free shooting events, teleseminars, workshops, and two day Boot Camps for a nominal fee. 

Pro8mm is applauded for being a one-stop shop where Super 8 cameras, film, processing, digital mastering, hands on training and treasured family archival home movies can all be handled by a dedicated staff with decades of experience. The company has enjoyed continuous growth for over 40 years in a niche market that in our opinion continues to thrive because of the dedicated hard work and entrepreneurial spirit to continuously move forward in alignment with the media industry.

Check out Pro8mm at www.pro8mm.com or call 818-848-5522

By Rhonda Vigeant, Director of Marketing  Rhonda@pro8mm.com

Tuesday, May 3, 2011

My Super 8 Movie! A Contest Celebrating Super 8 Filmmaking



MY SUPER 8 MOVIE!
A Contest Celebrating Super 8 Filmmaking
  
The highly anticipated summer blockbuster film "Super 8" is set in the summer of 1979. "A group of friends in a small Ohio town witness a catastrophic train crash while making a super 8 movie and soon suspect that it was not an accident. Shortly after, unusual disappearances and inexplicable events begin to take place in town, and the local Deputy tries to uncover the truth - something more terrifying than any of them could have imagined."(source: imdb.com)

Does this bring you back to the making of one of your first Super 8 movies?  Most of the film industry greats started out this way, making movies on Super 8 film.  Wouldn't it be remarkable to share your early film as part of our "Super 8" the movie celebration?

In celebration of J.J. Abrams movie "Super 8", we want to see your Super 8 movie!  Pro8mm will be giving away prizes for 8 lucky super 8 filmmaker's original super 8 films. Prizes include a 4 roll film package or get your original SD Super 8 film scanned for free to native 1080 HD with a free digital HD version of your film!
 
How To Enter MY SUPER 8 MOVIE CONTEST:

  1. Upload your Super 8 movie or trailer to YOUTUBE
  2. Email your YouTube link to Jaclyn@pro8mm.com, and she will send you a contest entry form. 
  3. Once your link and entry form are received, our "preview committee" will watch your film and review your form to make sure your film meets are entry requirements
  4. If your film is approved, we will post a link to your video under our "FAVORITES" on the "My Super 8 Movie Contest" channel on You Tube, (Pro8mm's Contest Channel),http://www.youtube.com/pro8mmcontest  
  5. Votes will be solicited from the public. Voting will be done via the YouTube
  6.  "Likes and Comments" feature. 
  7. The winners will be announced via the YouTube Channel, our Facebook page (www.thefacebook.com/pro8mm), and our monthly newsletter.
  8. The top "8" winners will win either a 4 roll film package, or get their original SD Super 8 film scanned for free to native 1080 HD to Pro Res!
 
CONTEST RULES AND REGULATIONS:

  1. Your entry must be an actual film that is at least one roll of Super 8 film, but does not exceed 30 minutes. Test footage is excluded.
  2. All entries must be uploaded to YouTube, and emailed to us in that format. We will not accept films mailed to our office, or posted on other Internet sites as contest entries.
  3. All entries must be submitted by June 30th, 2011 so we have time to review and pick the winners.
Any questions, pleased email  Jaclyn@pro8mm.com 

Below is a SAMPLE CONTEST ENTRY, "Ms. Marvel's Day Off," directed by Ruckus Skye, D.P. by Pete Wages. 

SAMPLE SUPER 8 MOVIE CONTEST ENTRY

Monday, August 24, 2009

8 Tips for Shooting modern Super 8


I read allot about Super 8 in chat rooms and forums and I am always amazed how much misinformation there is. There seems to always be an on going battle between people trying to jockey themselves as the most informed expert. This wrong information and half truths hurts filmmakers. I checked on AMAZON.com and there is nothing on MODERN SUPER 8. The last book I found was written in 1981. So I though it would be helpful to have some tips for shooting modern Super 8.

Instead of giving you all 8 tips at once, I'll give them to you one at a time so that hopefully you will keep coming back and read my Super 8 blog! While some of the tips I am going to give you are “old school” common sense that any film maker working with super 8 or 16mm film should do/should have done at any time in their shooting career , some have to do directly with the new modern negative film stocks, our Max 8, 16 x 9 super 8 cameras and native 1080 HD scanning.


A Few tips can go a long way, by Phil Vigeant, owner and senior colorist at Pro8mm

“Parts of my job as senior colorist at Pro8mm, is that I get to scan about a million feet of super8 film each year. In doing so I get to see what is happening in the super8 world with some vantage point based on volume. I look at my work as a two-part job. One, as a creative colorist, trying to get the most information off of the frames for our customers, and second, as an inspector looking for bugs in the over all super8 process. When I see something that needs improving, I try to see what I can do with the technology at hand to facilitate a positive change. Internally, I can talk to my employees who are the people most responsible for each area and together we try to attack the issue. Externally, it is much more difficult. You have competitive concerns to address, and some companies just do not see these problems as issues the way I might. In addition, there are things that are totally beyond my control that can play a major roll in great looking super8 footage. These things are up to the filmmaker. Each year the technology for scanning film to digital seems to improve, resulting in more things that I can fix. Native 1080 HD film scanning now provides me with tremendous processing power to do many things that were impossible just a year ago. There are new things on the horizon as well, which will give us even greater ability to improve an imperfect image. However, there are a few things that if the filmmaker does not get right, there is very little that can be done to remedy the problem, no matter how much technology you have at hand.

As the years progress the problems seem to change and evolve with each new generation. For those who grew up with film as the main picture-taking medium some things were learned at every juncture of the photographic process. Things such as focus were so common knowledge of that generation that we often forget that this is knowledge that you have to learn. A colleague of mine who teaches film making here in California said that he has to spend days of the semester going over some of this basic stuff. Therefore, here is my short list 2009 of the 8 most common areas of concern I see every day in transferring film. I hope that a few quick tips and expatiation can help you create better images with your super8 camera.” – Phil Vigeant(c) 2009

TIP #1 HAIR IN THE GATE

Nothing is more aggravating for us and to you when we get absolutely gorgeous footage up on the scanner and there is a big yucky piece of dirt or hair in the frame. Just a small effort on your part will make your footage sparkle! BRUSH YOUR CAMERA GATE!

“Because of the nature of film and the way it travels through a camera and exposes each frame, the system will build up debris in the gate. If it is allowed to accumulate, this will block some of the image. The metal gate frames the film with what should be a smooth black border. Because you are running film over metal, it tends to leaves tiny deposits on the gate as the film passes over it. This emulsion residue is a gummy substance that is barely visible to the naked eye. If this is not cleaned from your camera, from time to time you can have several problems. First, the gummy glue can trap foreign substances like hair, lint, and dust and hold it firmly, often where the image is taken in a camera. This results in these ugly black globs which start around the boarder that blocks some of your image usually on the edges, but sometimes big enough to block a lot of picture. Depending on the size of these foreign obstacles, a hair in the gate can ruin a shot. In addition, the build up of emulsion can get so bad that your camera can physically scratch the film. The fix for these problems is very simple. Go to the store and purchase a child’s toothbrush. Gently brush a few strokes between every cartridge. Every, single, cartridge! It is amazingly simple but incredibly effective. Do not use compressed air as all that will do is blow dirt around, and it might blow debris into somewhere you cannot get it out. In addition, compressed air does not often have the force to move the object because remember, it is stuck in place. Do not use a Q-tip, as the chance of leaving a fiber of cotton is greater then the good you will do by performing the cleaning. If your camera has never been cleaned, you might need to do some more extensive work. Once it is clean, the brush trick is all that should be need to keep you hair free.

Pro8mm includes a free camera gate brush with every rental or purchase. They are also available for sale on our website for $5.00 at www.pro8mm.com. A nifty little tool that folds up small and has an attached cover, so you don’t have to worry about loosing it. Once you use it on your camera, we do not advise using it as a substitute for gum or mints when you have been on the set all day, or for that matter, the other way around! www.pro8mm.com